I work primarily porcelain because I love the smooth translucency of the medium. I took some pottery classes at a local community college but other than that I am self-taught. A lot of trial and error.
First, I wheel-throw the shape – either open or closed – and then sketch a pattern or design onto the shape. I start the carving process while the piece is relatively damp. The walls are thrown thick enough to give me room to carve a good relief. Depending on the complexity of the design and the fragility of the clay, a carving can take between 15 to 50 hours to complete. My shapes and designs tend to be inspired from the Art Deco and the Arts and Crafts periods.
Recently I have been alternating between throwing/carving to slip-casting. Slip-casting gives me a relief from the intensity of carving. I slip-cast my own molds plus ones I have found in the wild. I look for classic shapes.
1605 – The Barefoot Hafner (Potter) sits in front of his work, and block forms a pitcher. Beside him on the bench are three clay lumps ready ready pitchers are available on the Shelf and on the shelf. At the bottom are two green, ready glazed stove tiles, a big lump of clay with a two-slip parting knife and left in a shallow basket with two finished cans Pewter mounts.